Nilda Whitsitt's blog ::... on twin towers. There ... and videos and where... of the game... that he attacked the same target...
Lamb and Lynx Gaede can no longer be called the "children of hate". Because today, dear readers, they turn eighteen. There is a promotional photograph of Lamb and Lynx that was taken when they were thirteen: The girls are standing at the edge of a hill, their blond hair blowing in the breeze, the sky behind them overcast. You can see the lights of a small city in the distance, somewhere in California. Lynx is standing up and Lamb is squatting down on the ground next to her sister, both wearing over-sized, green army jackets over their t-shirts and jeans. They have large, black combat boots on their feet. They seem to both be looking at something in the distance, deep in thought. The picture is a popular one. There is a copy of this photo floating around in which someone printed this rhetorical question next to the girl's faces: "Who said the revolution wasn't going to be pretty?" And by "revolution" they mean the White Revolution. David Lane once spewed fourteen words which have now taken on a life of their own, and have been recited by White Nationalists with the same urgency as a Christian recites Leviticus 18: "We must secure the existence of our people, and a future for White children." The twins, and their band Prussian Blue, have been used as poster children for the archetype of the perfect Aryan child starting when they were just nine-years-old. They were young, pretty, blond and white. Many of their devoted fans have been grown men. And some have been known to describe the girls as "Aryan Goddesses" and "beautiful babies". They were born Lamb Lennon Lingelser and Lynx Vaughan Lingelser on June 30, 1992 in Fresno, California to April Gaede and Kris Richard Lingelser. They are fraternal twins, but look enough alike that it can be difficult to decipher who is who. Both have the fair hair and blue eyes from their German and Scottish ancestry. Lamb is a little taller than Lynx, and Lynx's face is slightly thinner. Their baby photos show them as plump, apple cheeked, blond children who spent a lot of time outside on their grandfather's ranch around horses and other animals. Apparently one of the reasons April chose Kris to bear children with was because of his good "Aryan" qualities. She has said that her one regret is "the many years that I lost in which I could have produced four to six more children with that ideal eugenic quality that [Lynx and Lamb] possess." April April was born in the month of April in 1966 and was raised in California by her parents, Bill Gaede and Dianne Gaede (maiden name Jennings). Her father owns and runs a ranch in Squaw Valley, California and brands his cattle with the German Swastika. The Swastika is also displayed on the side of his truck. When asked by ABC Primetime why her father uses such a "provocative" symbol for his branding, April says, " -- he thinks it's important as a symbol of freedom of speech [to] use it as a cattle brand." In 1986, April married Lamb and Lynx's father. When the marriage ended in 1997, April gained full custody of the girls after filing a restraining order against him for domestic violence. Kris Lingelser was allowed supervised visits with his daughters, but it's not known how often he took advantage of that. As the years went by, April became more and more involved in the White Nationalist movement, which also meant she was slowly but surely indoctrinating her racist beliefs onto her two young daughters. In 2001, April joined the National Alliance which was founded by Dr. William Pierce. If you're unfamiliar with Dr. Pierce, you may be familiar with his violent novel entitled The Turner Diaries, a story about a race war that was published in 1978. Timothy McVeigh was said to have been partially influenced by The Turner Diaries to carry out the Oklahoma City Bombing. In the same year that April joined the National Alliance, nine-year-old Lamb and Lynx began showing a talent and a love for music. They started singing a Capella at White Nationalist events when Dr. Pierce suggested to their mother that her adorable, blond twin daughters should put out an album. Singing White Pride songs, of course, since it would be for Pierce's record company Resistance Records. April and the girls jumped at the chance. After realizing it was going to be difficult, and a bit pricey, to hire a band to back the girls' vocals, Lamb took up the guitar and Lynx the violin. And in 2004, they released their first CD as Prussian Blue. The album was called Fragment of the Future and it was indeed released by Resistance Records. (Such a shame that Pierce didn't live to see their CD come to completion. He passed in 2002.) By this time, Lamb and Lynx were twelve-years-old. And they already had a few years of dealing with the mainstream media under their belts. In 2005, three years after Pierce had passed, there were some leadership issues involving the National Alliance. It resulted in April and a few other members being kicked out. So the excommunicated banded together and founded a new White Nationalist organization called the National Vanguard. April says, "I was raised by a father who was obviously racially aware and who raised me to be proud of being white. And like most teenagers I questioned what my father taught me, especially when I was younger and realized how unpopular our beliefs were at school. Out in the world though I quickly came to the opinion that my father was right and correct in his thinking, and the more of the multicultural world I experienced the more I realized my father was on to something and I eventually became even such a racialist that I became an activist." In 2003, April married schoolteacher Mark Harrington (he sometimes uses the surname Neufeldt). Harrington shares April's radical beliefs and in 2004 April gave birth to their daughter, Dresden Hale. Lamb and Lynx: Today The most recent photographs and information available of Lamb and Lynx for public viewing are the front pages of their "Facebook" profiles. Their profile photos change from time to time, but two of them stand out to me: Lamb's photo is of her with dyed reddish hair. She is looking into the camera holding in front of her face a green tinted glass ball, which magnifies her left eye. One of her favorite quotes is a lyric from an Eagles song. And under her "Likes and Interests" she added Maharishi Mahesh Yogi, an Indian man who "brought Transcendental Meditation to the West." Lynx's photo is of her outside, gazing upward into the clear Montana sky with a pair of sunglasses on, a dark jacket with the hood up and the snow and Pines in the background. She "likes" Buddha. And according to a page she created on blogger.com back in 2008, she enjoys the music of Jimi Hendrix, among many other things. I used to, but not anymore, be able to see their Friends Lists -- they appeared to have friends with diverse views and some that even looked to be "non-white". The twins (who now seem to be back to using their biological father's surname, I'm assuming so that they can't be as easily traced back to their mother's controversial political endeavors) spent much of their pre-adolescent and adolescent years as Prussian Blue. Prussian Blue One of the twins (the interview didn't specify which one) explained how they came up with their band's name: " -- we were on the way to a performance and mom said we needed a name. We were reading a Resistance magazine and saw the words Prussian Blue. Mom said that people would make a big deal that it was also the name of the Zyklon B residue but we didn't think it was that big a deal. We liked the idea because it is a pretty color and it is also part of our ancestry (Prussian) and we have blue eyes." (8) The reason why April warned them that people would make a "big deal" out of the name Prussian Blue is because of the controversy surrounding Zyklon B between Holocaust Deniers (or Revisionists as they are sometimes called) and mainstream historical scientists. Zyklon B is a cyanide based pesticide that was used in the gas chambers by the Nazis in World War II to kill the prisoners in the concentration camps. However, the "Revisionists" believe that Zyklon B was not used for the extermination of people. They say had the pesticide been used as often as it has been claimed to kill prisoners, there would be a Prussian Blue colored residue lining the walls of the chambers. And according to revisionists, there was no residue. Or at least very little of it. (To explore this argument more closely, check out this link. MSM (aka Mainstream Media) The mainstream fascination with Lamb and Lynx Gaede began around 2003 when they were eleven-years-old. British broadcaster and journalist Louis Theroux did a documentary about the American White Nationalist scene called "Louis and the Nazis" (12), part of a television series he did entitled "Louis Theroux's Weird Weekends." During the filming, Lamb and Lynx were in the process of recording Fragment of the Future. As Theroux follows the girls during this time, we see that Lamb and Lynx seem to be energetic, care-free and happy children. Lamb is a bit more reserved and quiet than her sister. And they adore and love their mother deeply. We watch as April becomes very passionate (and angry) as she explains and discusses the racial issues she has devoted her life to. I think it's safe to say the sisters probably don't want to get in the way of any of that wrath and will do anything to make their mom proud and keep her happy and calm. "They seem a little young to be getting into politics and racial issues," Theroux says to April after the girls sing a Capella a song about South Africa and "their so-called fight for freedom." "Yeah," April says slowly, "But they gotta start sometime." "What is the idea behind creating this group out of them that sings?" Theroux asks April. The camera pans to Lamb who has flopped herself over the back of the couch. When she flips back up and realizes the camera is watching her, she giggles. "I think that Lamb and Lynx's music and their appeal, especially as they just get a little bit older -- they're going to be an example and they're going to show how being proud of your race is something that would be very appealing to young teenage girls -- what young man, red-blooded American boy isn't going to find two blond twins, sixteen-years-old singing about White Pride and pride in your race -- very few are not going to find that appealing," April explains, confirming the fact that she recognizes that Lamb and Lynx's physical appearance are part of their appeal. They are not jaw dropping gorgeous but they are pretty, cute and charismatic in a girl next door sort of way. They are smart and charming, yet non-precocious. The bottom line, really, is that they're blond twins. With Lamb playing acoustic guitar and Lynx playing her violin, their folksy sound is disturbingly catchy. The vocals can be at times faulty and awkward, but in general they are talented children. Since their material was so controversial and their viewpoints so disgusting to the majority of the world's population, they obviously didn't have Hollywood producers (or the "Jew Media") tweaking their sound to make them marketable and flawless. But it is the lyrics of their songs that are the most alarming. One of the biggest misconceptions is that all of the songs were written by the girls. "Victory Day" is a cover song by Rahowa, a Canadian White Nationalist band that was headed by George Burdi. (However, Burdi has since renounced racism.) (9) "The Snow Fell" and "Ocean of Warriors" are Skrewdriver songs. The lyrics for "Lamb Near the Lane" were written by David Lane and the music was composed by Lamb. (Lane and the twins were pen-pals up until his death in 2007.) The songs "Skinhead Boy" and "Sacrifice" are two of the songs written entirely by Lamb and Lynx. The most impressive songs are "The Stranger" and "Your Daddy". The lyrics to "The Stranger" are actually the Rudyard Kipling poem of the same name. The girls composed the music and it is quite impressive. (Of course, I am the furthest thing from a music expert, so my opinion may not be much to go by.) Even though the Kipling poem is about being skeptical and uncertain of people from other cultures, the writer can hardly be considered a racist. First of all, the poem was written in 1908. Second of all: Many older editions of Rudyard Kipling's books have a swastika printed on their covers associated with a picture of an elephant carrying a lotus flower. Since the 1930s this has raised the possibility of Kipling being mistaken for a Nazi-sympathizer, though the Nazi party did not adopt the swastika until 1920. Kipling's use of the swastika was based on the Indian sun symbol conferring good luck and well-being; the word derived from the Sanskrit word svastika meaning "auspicious object". He used the swastika symbol in both right- and left-facing orientations, and it was in general use at the time. Even before the Nazis came to power, Kipling ordered the engraver to remove it from the printing block so that he should not be thought of as supporting them. Less than one year before his death Kipling gave a speech titled "An Undefended Island" to The Royal Society of St George on 6 May 1935 warning of the danger Nazi Germany posed to the UK. (13) Although I'm sure the WN will say that Kipling was "threatened" by the Jews to make such a speech. "Your Daddy" is a song the girls wrote and dedicated to their baby sister and step-father. It was released on Father's Day 2006. There's a sadness to the song as they sing to their little sister about how lucky she is to have her father present in her life: "Mine was never there for me/yours is always there you see/there is a great past you'll find/I try to leave my past behind/but it's broken/it's broken/so please don't take for granted/please don't take for granted/your daddy See the very end of this article for more sample lyrics from Prussian Blue's songs. Theroux asks April if the girls are denied any playthings that the average kid might enjoy. Lynx tells him they're not allowed to play with Game Boys. He then asks if there are any race-related video games the girls like to play. (Set up? I think so. So clever, Theroux.) "We've got Ethnic Cleansing," Lynx tells him, "But we don't play that very often." "What is that?" Theroux asks. "That's a computer game that the National Alliance puts out called Ethnic Cleansing. It's basically a shoot 'em up computer game in which -- a skinhead goes through a ghetto and shoots Blacks and Mexicans," April explains. "Do you like it?" Louis asks the girls. Lynx nods, "It's really hard, though, cuz of course all the people that you shoot have guns too. They hide in bushes and stuff. They're like perched up on basketball hoops and stuff and they're climbing in trees and stuff, so you gotta watch out when you hear those gorilla sounds, they make gorilla sounds -- " Lynx proceeds to mimic a gorilla's grunting noise " -- like that. Then you go [points her finger like a gun and aiming at an imaginary opponent off in the distance] and then you shoot it." "Is that a good idea, do you think April?" Louis asks, "It seems a little -- " he trails off, trying to find the correct word to use. But Lynx is ahead of him. "Vulgar?" she suggests. "Ok," Louis says slowly. April laughs. While in the recording studio with the girls, Louis asks them if they would want to be skinheads when they're older. The girls emphatically tell him that they wouldn't, because that would mean they would have to shave their heads. And Lynx tells him, "I'm keeping my hair long." Lamb also educates Theroux by telling him that a female skinhead is called a "skinbyrd". "Would you like to go out with skinheads when you're older and you're ready to start seeing boys?" "Yes!" Lamb says quickly and with the enthusiasm that only an eleven-year-old school girl can have. "Sure," Lynx adds sheepishly. "Would you?" Louis asks. "Yes." They both giggle. "Why?" "Because!" answers Lynx as she runs off toward the recording room with her violin. "They're cool," Lamb tells him. "They're very special people. They're important people!" Lynx calls out from the other room. "Why are they important?" Louis calls back. "Because they're very dedicated to what they believe in." Louis voices over at one point during his time with the Gaedes, "I wondered how Lynx and Lamb would grow up, and how they would feel about their mother once they'd left home and were able to think for themselves." They were a perfect target for the American media. Dubbing them "The Children of Hate" and using such titles as "Young Singers Spread Racist Hate" for their articles and other eye catching quips, they did one of their first mainstream interviews with ABC Primetime in 2005. Lamb and Lynx were 13. (1) They were everything the media loved; blond, innocent, sweet. With that little "devious" twist. Even though the twins' "ideology" (can kids that young have a set ideology already?) was completely abhorrent, there was nothing about their demeanor that seemed cruel or hateful. Even when Lynx declared that she believed that 6 million Jews being murdered in World War II was an "exaggeration", you can tell it's an arrogant adolescent statement that is not completely thought out. Inga Barks, a radio personality from Bakersfield, California who interviewed the girls in 2006, said, "If they were ugly with gnarly teeth and warts on their faces, people would be going 'You're a racist!' But they're beautiful as they're saying these words and they're agreeable as they're saying these words. And people go, 'What? Is that racist or not? I can't tell!'" (2) I am not here to say that teenagers and adolescents aren't capable of creating their own ideas and beliefs. They are. But if you're claiming such serious statements and a way of life, you must be able to back it up. And you must have the understanding that it is not popular and there are people will not like you. Are children ready for that and can they understand it? Can they appreciate the viewpoint of someone who finds their views appalling? Or do they just think that people are just being "mean" to them? Aaron Gell did an interview with Lamb, Lynx and April in 2005. It was published in GQ magazine and was titled "A Minor Threat". "I keep getting disappointed in journalists. Aaron Gell, the Jewish guy who wrote the article for GQ magazine gave us the most fair article so far," April once stated, "I think that is because Jews don't have to feel as guilty about what they write and most gentiles...are full of white guilt. I have actually considered limiting my MSM [Mainstream Media] interviews to Jews only in the future......lol" (5) Gell writes: The really nice letters [the band receives from fans] got printed out and put in a binder, Lamb says, "so if we ever get bummed out because someone says, 'I wish you would die,' there's some positive stuff to look at." "There are people we think are our friends, and when they find out what we believe, they're like, 'Ewwww', " Lynx explains. Homeschooled through the sixth grade, Lamb and Lynx enrolled at a local public school, Beardsley Junior High, last year. After a brief adjustment period, they joined the ranks of the "popular, snotty girls," says former classmate Elizabeth Belsky, a brainiac type whose musical tastes run more toward show tunes than German war anthems. By her reckoning, the girls have "had a lot of boyfriends"; she recalls quite a bit of hands-in-back-pockets action. "They had everyone in that school wrapped around their fingers." (3) Apparently, Lynx was also given the title "Seventh Grade Princess" and Lamb received the "History" award for her grades in the subject while attending Beardsley Junior High. (7) Lingelser In 2005, Lamb and Lynx sent their estranged father a copy of their first CD. It was at that time that he claims he realized how radical their beliefs had become. "Do they know how many people out there will look at [them] and just go -- I mean I get angry, just angry," Lingelser told ABC News, "And they don't deserve that anger. They don't deserve that hate. That's not them -- It's just horrible. How do I feel? I want it to stop. I want them to not say 'Heil Hitler.'" The exact reasoning of the custody battle is unclear. Some sources say it began because April had decided to move out of California (or "Mexifornia" as she sometimes called it) to a state with a larger white population. Of course, she told the court it was because her parents owned a ranch in Montana and they were moving with them. (To my knowledge, Bill and Dianne still live in California.) The original custody agreement between April and Kris was that April was not allowed to move their daughters out of state without the court's consent. And because of this, Lingelser decided to fight for custody. Other sources say the custody dispute mainly started at this time because it was also the same time that Lingelser realized the intensity of his daughter's beliefs. Either way, he went back to court at an attempt to regain custody. He originally lost custody when they divorced because he admittedly had a drug problem. "I had a drug issue, and you know, I was not always the most responsible parent," he says. ABC News uncovered a troubling letter in which Lingelser threatened to kill April and the twins if she told police of his drug abuse. Lingelser says he's no longer a threat to his girls. He lives and works in San Diego, and says he's now clean and sober and believes he would be a better parent.(11) However, the judge ruled in favor of April. Nazi Pop Twins In 2006, British documentary filmmaker James Quinn gained access to film Lamb and Lynx for a year in their lives. His result became "Nazi Pop Twins", the only full length documentary entirely focused on the girls. And April. The twins were fourteen when they started filming. One of the first scenes shown is of April showing off a crisp, white t-shirt with a yellow smiley face on it. Cute, right? Except on the upper right hand corner is a black obtuse triangle which makes the face look like it has hair. And right above the middle of the smile is a black square. These t-shirts are sold by AryanWear, a website that sells various types of "Aryan" merchandise: accessories with Swastikas, bags that say "Skinhead Army" and many other things. The official name of the merchandise April is holding is "Happy Hitler Girly T - Hitler Smiley Face Shirt". "AryanWear hired Lynx and Lamb to model these and a few other shirts for their company. We thought these T-shirts in particular were funny," April stated on Prussian Blue's blog in September of 2005 (6) underneath the now world famous pictures of the girls wearing the shirts.(10) "The famous t-shirts!" April says, holding up the shirts for the crew to film, "I really, honestly, still don't understand why people don't find these hilariously funny. You add a little triangle and a little rectangle there, and all of a sudden everybody [is saying] 'Ooooh, this is scary, scary, scary'." The t-shirts are now synonymous with the twins. I think a circulated photo of thirteen-year-old girls wearing Hitler t-shirts may be on par with a mainstream celebrity's nude or scandalous picture being leaked. Personally, I think it's worse. Lamb and Lynx have grown considerably since the last time they were in the media spotlight. At thirteen, when they were on Primetime, their bodies were skinny and pre-pubescent and their demeanor was much more child-like. At fourteen, they look more like adults with their fuller and more womanly physiques. Their style seems to be comfortable and casual, working with the California heat: Lamb wears a lot of long flowing skirts, flip-flops, tank tops, t-shirts and blue jeans. Lynx seems to be a little bit more daring with her style, at one point wearing leggings and a denim miniskirt. She also wears a Life Rune symbol around her neck. The Life Rune was originally a symbol from pre-Christian Europe with meanings related to hunting, honor and nobility. In the 1930s, the symbol was adopted by the SS's Lebensborn project. More notably today, the National Alliance uses the Life Rune to symbolize "Giver of Life" in relation to women in the White Nationalist movement. To them, it symbolizes the future of the White race. However, many non-racists use this symbol as well. For instance, pagan religions have used this symbol in their practices. But as we all know, Nazis love taking benign symbols and turning them into badges of fear and hate. But I digress. Quinn goes on to film parts of the radio interview Lamb and Lynx did with Inga Barks. When Barks questions the girls about whether or not they believe the Holocaust happened, Lamb replies hesitantly, as if not even sure if she is comfortable anymore answering this question, "Well, it was in the middle of a war. They were desperate for fuel. I mean, I just don't think they would take so much time just to make things so horrible." And she really believes this. How can she not? She finds it hard to believe that people, especially the people she's been brought up to defend and admire, would be so callously cruel as to intentionally murder millions of people for reasons beyond their control. It's much easier for the girls to believe the Holocaust never happened (or was exaggerated) as they've been told by their care-givers than to believe the atrocities that the rest of the world believes. "Is there anything in your life that makes you extraordinary?" Quinn asks the girls one day as they sit in a park on a sunny day. After a brief pause, Lamb says, "This is a bit awkward." She smiles and fidgets, "Are you asleep mama?" April seems to have fallen asleep on a park bench. "She's falling asleep," Lamb says, while Lynx looks at her sister and seems to laugh knowingly. "I don't wanna say [that we stand for] 'White Power' because that's not what we're about," Lynx tells Quinn, "For the past four years everything's been about politics and it's kind of drained my sister and I -- we just wanna take a break and cool down for a bit and just hang out -- get out of the media for a little bit." * * * Bill Gaede's ranch is bustling. Not only is the film crew and the entire family present, but the family has also invited friends over. Bill goes on to show Quinn how he brands his cattle and shows him his many firearms and rifles. Dianne, Bill's wife and April's mother, sits by herself underneath the shade of a large tree, a coffee cup in one hand and a breakfast donut in the other. April specifically told Quinn not to speak with her. But as the day wears on and everyone starts to go their own ways on the large ranch, Quinn takes his chance and speaks with Dianne. "It's all because of this goddamned Nazi shit," Dianne tells Quinn. She is animated and emotional as she tells him about how she says she's been feeling for so long, "That's what it's all about and it's just fucking ruined my life. I'm gonna let it all hang out, boy. I hope if you see this, Bill, that it really fucks you up. Even though we've lived here thirty years, I don't have a single friend. You know why? I don't have a single friend because he's so hateful. I just don't like him enough to live with him anymore. I've seen my kids just torn apart by it. Not April, she really loves it." Dianne goes on to say that she doesn't believe that Lamb and Lynx would have chosen on their own to believe in the principles of White Nationalism and says that it is April's influence on them. "That's why I say the mother keeps this shit going and keeps it going," Dianne explains to Quinn, "In fact, we [Dianne and the twins] have a plan -- they're in high school for four years but then they'll be of age and plus they'll have a car -- and we'll go up the coast looking for a house." Dianne tells Quinn that this "escape plan was explosive information" and tells him, "If you ever hear of my body being found, check it out will you? Because I wouldn't put it past [Bill] killing me." "My mother is a perfect example of how trying to be PC and please the press can drive you literally mad," April responded to what her mother told the film crew, "If you ask anyone who knows her you would be told how 'racist' my mother really is. In fact, she complains about the nonwhites just about every day. The problem with her is that she is weak and doesn't want these antiracist pussies from England to think ill of her. So she lies about her beliefs to the camera and turns around and makes racist statements a few minutes later. In 2002 she told reporters she was dying of cancer and had only a few months to live, obviously she is confused and my sister and I suspect that she is in the early stages of Alzheimer's since she cannot remember and often confuses simple facts from our childhood. I was angry at first with my mom, and so was my dad, that much would be obvious. But I also understand the position that she felt she was in and got tricked by slime balls who acted like somehow she would be 'off the hook' if she denounced what we believe. I have forgiven her, though I certainly don't trust her. And as for the 'taking the twins away', my mother is a lot of hot air. If she really disagreed with what we believe she would have left years and years ago and that should be obvious to anyone." * * * "I was to direct a pop video for one of their songs," Quinn voices over the next scene, "We were having breakfast to talk about how it should look and how the band should come across. As usual, April had some very strong opinions. But today, the twins were in no mood to be managed." The diner is well lit, and with the sun shining outside and ceiling fans whirring, the girls eat their hash browns and sip their orange juice. Lamb has a pad of paper in front of her ready to take notes but doodles instead. "We want [to use] a song that we've already recorded," Lamb tells her mother. "But what else could we have in that?" April asks diplomatically, "Do we wanna make it be like a story or do we want it to just be like images and stuff like that, while the music's playing in the background or where we cut away to you guys playing your guitar or whatever. The problem with doing [the song] 'Your Daddy' is that, you know, we really should have like pictures of a little girl with her daddy and how are we going to do that?" "I know," Lamb says, "But nobody takes their songs literally, like in their videos." "Well, some videos do take things literally," April says, "You can actually, I mean there are certain concepts -- " "But that's not what I want to do," Lamb says. "Yeah, let's forget this," April mutters, getting up from her seat, "I'm not gonna sit here and argue with you on camera." She proceeds to remove her microphone. "Just cut this," she says, trying to remove Lamb's microphone. "Mom, just go away," Lynx says, "If you're going to be such a drama queen." "I'm not gonna sit here and have a family argument on camera." "We're not having an argument," Lamb says, baffled, "What are you doing? Leave me alone. I just said [that] I don't wanna take the songs literally and have it -- be like that." April has successfully removed her own microphone and is on the sidewalk outside the diner. "Ok," Lamb says, obviously flustered, "There she goes, I don't care." "What would you say Prussian Blue's image is?" Quinn asks after April leaves the diner in a huff. "I think that a lot of people think that we're a bunch of psychos, to tell you the truth," Lamb says, "We kind of just wanna take a break for a little while. We're not always going to be doing this for the rest of our lives. I'll always play my guitar and I'll always write songs, [but] we're not going to be [playing as Prussian Blue] our whole lives. We have other dreams and other goals other than this." Lamb goes outside to urge April to come back in. "Can you come inside?" Lamb asks her mom, "Your stuff is getting cold, they're paying for it and it's rude. Mom! Can you come inside?" April and Lamb enter the diner, but April is cold and purposely chooses a chair further away from her daughters. And she refuses to look at anyone. "Do we have to do a video?" Lamb asks her mother, "Doing a whole other video is a lot of work. I don't have any ideas." April again leaves the diner. The girls follow her. "It's like the epitome of the worst time ever to film," Lamb says, wiping tears from her eyes, "I really wish that we didn't do this. Ever." * * * It is nighttime in Fresno as Lamb, Lynx and April enter the bar. Quinn says that April and the girls, " -- had agreed to try out new material at a bar." Lamb has her acoustic guitar slung over her shoulder and it rests on her back. The girls sit on the tall barstools and play a few songs for the patrons. The teenage girls are applauded, and their faces beam at the acceptance. They take a break and spin around on their stools as their mother proceeds to chat up the bar patrons and hand out copies of the girls' CDs. The conversations naturally turn to politics and April slowly, but surely, starts voicing her beliefs. The owner of the bar seems to come out of nowhere and approaches April saying, "You need to stop, because I don't know what it's all about. Nothing against your girls, but I will not support anything that has to do with White Supremacy -- " "Can I explain something to you?" April says kindly but firmly, "We're not White Supremacists." "Ok, then what are you about?" the owner asks, standing in front of the camera, blocking our view. "We're Separatists and we're White Pride," April explains. "Out," the owner says, motioning toward the door. "It's not ok to be White Pride?" April challenges the owner. "Not in this bar," the owner retorts, "[In] Here, everyone is equal. Out." Outside the bar, April is seething. "People are completely intolerant. They will not allow white people to be proud of who they are." The girls seemed to have a physical reaction to their mother's outburst. Lamb starts waving her arms in front of her as if to say, "Mom, stop it, let's get out of here" while Lynx simply says, "Mom, just shut up." Sensing the tension, and wanting to ease her mother's anger, Lamb says cheerfully, and without a trace of irony or sarcasm, "Well, we had fun while it lasted!" "They [Quinn and the film crew] set us up to have the girls perform at a place in Fresno that had an open mic night," April says of this situation, "I asked him if they had told them who we were and he said he had but they were 'cool with it'. I got lost and called the place for directions, Club Fred, only to hear a message on their answering machine about how they were going to 'not let the girls perform and give the Nazis a welcome they wouldn't soon forget'... those asshole film guys were going to let us be attacked and catch it all on film!!! So instead we went to another place where Lamb and Lynx played. Everything was great until 'someone' decided to get the bartender all riled up and as we were leaving she threw a fit about how she didn't want racists in the bar. We were already going out the door so I told her to not get her panties in a bunch. She called the police and the local media and made a huge issue out of it, even though the song the girls performed was a friggin Bob Dylan song!!! It was all over the local news. I asked James to make sure that he mentioned that the bar open mic was ALL HIS IDEA since I don't have my kids perform at things like that normally, we just did it for the camera. He said he would make that clear but I highly doubt[ed] it." Outside the bar, Quinn talks one-on-one with April. "The media is so biased," April says, "against...White Nationalists -- that they have maligned us so badly that even rednecks in a bar are scared shitless [to be proud of their race]. They [the media] have completely castrated the white race -- they've got everybody so damn afraid to say anything, and there's only a few people that have the guts to stand up and do anything. I'll be real honest James," April begins to show some vulnerability and emotion other than anger, "I want to trust you, but there's a really big part of me that thinks that you [were] just waiting for us to show up so that they could come out and scream at my little girls, and hurt my little girls. I don't want to think that of you, but that's what I think." This seems to be when the custody battle started, or at least when it was in its most brutal stages. But with the court's blessing, April moved with her husband and daughters to Kalispell, Montana. Quinn didn't have any contact with them for the next six months. Eventually, April invites the film crew to their new home in Montana. It is in the middle of winter with snow piled high on the ground. In contrast to Bakersfield, where you could see people milling around outside at all hours of the day, winter in Kalispell is a different story. No one goes outside unless they are wearing layers and layers of warm clothing. Their neighborhood is quiet and almost void of any outside activity. Trucks have plows attached to the front bumpers and the pine trees that are so prevalent have their branches weighed down with snow. For April, and other White Nationalists, Kalispell is certainly "white enough" for them. According to the 2000 census, the population of Kalispell was 14,223. The percentage of people identifying themselves as white living in Kalispell was 95.84%. There are actually a few movements within American WN circles urging white people to move to the Pacific Northwest region of the U.S. One of the most radical organizations for this is led by Harold Covington. On the front page of his website, it says "The Northwest Front is a political organization of Aryan men and women who recognize that an independent and sovereign White nation in the Pacific Northwest is the only possibility for the survival of the White race on this continent." He also hosts a radio show that can be heard online. He has even written up a Constitution. Another organization for this movement is Pioneer Little Europe, or P.L.E.. But I digress. Again. Kind of. With the snow outside, and a swiss braid tied in her dark hair, April cooks in the kitchen like a good Aryan wife and explains to Quinn what has been going on since they'd last been in touch. "We didn't move up here and plan on doing any activism," April tells him, "Very few people, except very, very close friends even knew the town we were living [in], so for the girl's sake I feel pretty bad for them. This busy-body gal decided to print up flyers that say 'No Hate Here' on one side and -- a bunch of misquoted information on the other, and they went door to door handing out these flyers 'warning' the neighbors about me. We've had quite a few death threats -- " "You've had death threats to you from people in Kalispell?" Quinn asks. "Yeah," April says, "To be really honest, it's kind of like somebody has pinned a great big, huge medal on me by having them attack me. It means that I must be doing something effective and obviously I must be doing something right." Quinn wonders if the girls got their way about taking a break from Prussian Blue. But April takes him down to the basement (sounds ominous, I know) and shows him new Prussian Blue merchandise that they've been selling; t-shirts, mouse pads etc. April has also started hosting her own Internet show on Stormfront Radio. The basement looks like its own White Pride den. Lamb and Lynx seem to be fitting in well at their new school and have made friends. A couple of these friends are over when Quinn sits down to talk with them. Lynx is slumped down in the seat of the couch while the television plays in front of them. It is a normal display of teenage girl-dom: talking and giggling, the comfort they feel being with each other. And it seems like the girls more than ever now, just want to be normal. "There are some songs we wish we didn't sing cuz now we disagree with it," Lynx tells Quinn, "...concerts that we wish we never went to because [of] the reputation it gives. But you know, people change what they view. I wouldn't even consider myself a White Nationalist. Like, maybe my mom [is], but I think I'm like below that and not even as extreme anymore." "This whole issue has kind of made me smarter about stuff," Lamb adds, "You just have to think about stuff before you say it and before you do it." "It's kind of funny," Lynx adds, "Like for Martin Luther King Day in World History, we did a thing about how the white man was beating up the black man, and I felt guilty for some reason because of all the things that people have accused me of -- of hating black people or of worshiping Hitler. I feel, like, guilty for something that I haven't even done." April says of this scene, "This asshole tried to accuse my kids of horrendous things in front of their school friends after promising not to deal with politics when the other kids were around, then putting them on the spot. They girls were not in the mood to explain all our beliefs and argue them right then, they just wanted to show they aren't hateful. I felt the girls could handle the situation and didn't realize that they [the producers] would be so devious." April moves her family into a remote cabin in the woods outside of Kalispell for a short time to escape the scrutiny from the residents.** Quinn decides to confront April about what he's seen while filming the family; the reluctance Lamb and Lynx seem to be having about the White Pride views they have been brought up with. Coupled with the freezing cold winter night in Montana and the isolated cabin, the fire April has started is the only light available outside while Quinn and April talk. Dresden is outside with them, sitting on a log, bundled up tightly in her winter coat, gloves and hat. Quinn proceeds carefully: "I think that you should be proud of the fact that your girls adore you and I think that it's a remarkable thing that you believe in something as strongly as you do. But I also think that that situation in Kalispell with death threats -- " "But I did not create that situation!" April exclaims, "I moved [to Kalispell] so the girls could live as normally as possible." "I understand how you feel about that," Quinn says, "Isn't the point, though, that it's all just avoidable? You're just making yourself unhappy." "No, you know what would make me unhappy? [It] would be to keep my mouth shut when -- what I consider to be evil and deviant and unnatural things are going on. That's what would be painful and make me unhappy." "I wouldn't have said that Lamb and Lynx believe in the principles of White Nationalism, I just don't get that sense from them. If they said, 'Would you give it up for us?', you would say -- what? Because both are a big priority, and they seem to me to conflict, but you're saying they're not." "They're the same thing." "It seems to me that they do come into conflict, so what I'm saying to you is -- if you had to choose, which would you choose?" After a brief pause, April says, "They're not in conflict." April says of this scene, "On the last night we filmed, James did a Jekyl/Hyde thing. He had me outside by the fire sitting on a tree stump and kept trying to get me to tell him 'where I saw the band going in the next few years.' I KNEW he was trying to imply that I made the band and controlled it so I just kept saying, 'Ask the girls, they are the band I am not...' He would rephrase it and I would say the same thing over again. He got so irate at one point I thought he was going to hit me with a log. He got up in my face and was literally spitting at me he was so mad. He walked off and cooled down and then came back for more this time saying that I hoped the girls would be killed so that they could be martyrs for the cause, at that point I got up and went inside." "You're such a self-hating white person!" April yells at Quinn the next morning when he and the crew arrive to film, "You suffer from white guilt. Terminally!" The girls are sitting in the living room. They are quiet. Quinn was right on the money when he compared the girl's lives to a "tightrope" that they must constantly walk. April said the reason the girls looked so upset during this part of the documentary was because, " -- the girls had to skip an important swim meet for their team. They were upset about letting their team down and depressed and annoyed about it. James kept trying to get them to talk about it on camera, 'You are annoyed about being here' etc with the camera in their faces to try to get them to say something negative so that he could misrepresent the girls being angry about something else. That is the kind of crap he did." "What happened last night?" Quinn asks April, "From me saying good night to you to this morning?" "I don't want it to seem like my mom's forcing my sister and I to do stuff, because that's not the way it is," Lynx speaks up. "Well fine," Quinn says, "But it strikes me that it is." "It strikes me, James," April mocks his British accent (badly), "That you're very manipulative." "I can't believe that you would say that to me," he tells her. He asks that if all that they're about is being proud of their race, then why bring up Hitler? "We don't care about Hitler," Lynx snaps. "We wore those t-shirts because we thought they were a joke!" Lamb suddenly exclaims, "And yeah, they offended people but -- have you seen us wear them anywhere else? No! We haven't worn them!" Lamb is of course talking about the Hitler smiley face t-shirts her and Lynx were photographed wearing. "We threw them away," Lynx adds. "Well, actually we didn't throw them away," April says after a brief pause. "We threw them away, mom. They were thrown away." "The next morning the girls and I confronted him about it after we talked together about how he was putting words in our mouth and that is when he ran and got his camera, blocking the door to the cabin so we couldn't leave and screamed at us bloody murder for wanting to leave. It was like he knew that it was over and he was trying to milk it for whatever he could. We got in our jeep and left him and Patrick the cameraman standing in the snow." April continues: "James spent literally every second he got alone with the girls, say when I was in the bathroom or paying for gas etc, trying to get them to say something negative about ANYTHING so he could put that in his film. A few points about the lies told in just this ONE particular article and how the suckpoop producer totally misrepresented what happened. Okay just a few of the lies are: 1. HE was the one trying to get us to agree to make a music video and WE said no we work with Murrey Media, we won't make a video with you. 2. The girls NEVER claimed to be Nazis and neither did I claim they were. 3. If I was so controlling how come I allowed them to interview the girls without being present? 4. My mom has beginning stages of Alzheimer's and some serious mental problems which we spoke about before filming and they agreed not to interview her, but then snuck around later when we were not home, came into the house, accused her of being a Nazi and she freaked out, trying to defend herself. A few years ago she told some TV people that she was dying of cancer and had months to live. Most of her claims are the rantings of a scared old lady, shame on them. Here's a REALLY HUGE lie. 5. The girls NEVER wrote a song about the Holocaust, ever. Where do they get off saying that the girls wrote songs about the Holocaust?? 6. I said over and over when asked about the girl's future in music that it was 'up to them, ask them'. 7. He asked me if I would mind the girls not being political and I said, 'as long as they are not race traitors I don't mind what they do, I realize politics are not for everyone'. 8. I stated that we moved to Montana to be out of the media spotlight, not to try to push their career, they could do that when they are older if they like. How convenient that he left that part out of the interview." Mark Harrington, the twins' step-father and biological father of their baby sister Dresden, has never been shown on film and his existence was never discussed in Quinn's documentary. April told Louis Theroux during his film that even though Mark shared the same beliefs as her, he did not want to be filmed because he was concerned about losing his job as an educator over their controversial politics. Mark also chimed in with his opinion of the filming of "Nazi Pop Twins" saying: "Lamb and Lynx decided to do this documentary (yes, you read that correctly: Lamb and Lynx, and only Lamb and Lynx had the final say in appearing in this documentary) because they believed it might help some kids, like their young friends, to see who we really are and to look beneath the surface of the ugliness of what those same white kids are being told they are - both individually and collectively (by government, schools, and media) - to see the possibility of each of us being more. To their credit, they have learned a different calculus than Paris Hilton and Angelina Jolie. Though the girls have denounced the 'cult of Hitler worship' countless times in print and have made every effort to place admiration for the past in proper historical context, the ruse is played out void of any qualification again because 'the boogey man' still scares people (though we may yet have our Wizard of Oz moment). And that's the bottom line for these 'artistes'. James was more interested in a 'gotcha moment' than he was in telling a story (too bad he didn't help create a real gotcha moment, unmasking a media boss). He set up situations where the girls and April could have easily been killed because he wanted 'conflict'. Did he have no moral reservations about getting people seriously injured or killed so he could get a 'good shot'? We prevented those situations from turning ugly, not the 'professionals.' The girls are not interested in multiculturalism. They had the choice to live in a very multicultural environment and rejected it. They had the opportunity to earn a substantial amount of money by rejecting everything they knew to be true in pursuit of a 'mainstream' career. They are pursuing the only cause that is worth fighting for in this world and they deserve our respect and admiration." April continues, "I believe that all children who are worth their salt question what they are taught by their parents, their schools and their government and they use their own personal experiences to shape their own belief system. If my children just repeated everything I believe, hook line and sinker, I would think they were dull and simplistic minded. But they are not, and whether they decide to become activists (which is what they mean when they say White Nationalist) or just proud white people it will be their choice in the end. Lamb and Lynx have experienced more scrutiny than most politicians running for high office. I think they have held up as well as could be expected considering that most everything they have said, no matter how innocent or reasonable has been twisted into some sinister and evil thing by the media. Lamb and Lynx have not solidified their belief system or their ideology yet. They are only 15 years old. They are still in the process of finding out 'who they are' so to speak and what they believe to be true. I can only do as any parent does, guide my children to the truth as I see it and then let them decide for themselves. Keep in mind that James hammered on those girls for hours and days to try to get a reaction from them that he could use to try to prove his point. He has no children of his own and obviously no understanding of the parent child bond, hoping that he could somehow CAUSE a rift between us. He didn't. We are looking forward to our trip to Europe next week." Prussian Blue's official website, prussianblue.net has been defunct for a few years now. And the Prussian Blue blog, which is run and updated by April, had its last entry on January 13, 2008. On January 28, 2010 Alan Colmes had April on his radio show to talk to her about her attempt to start a White Nationalist Dating Service; a place where White Nationalists can go to find other proud White people and start White families. (As of the publication of this article, it seems that folks who e-mailed April about the service are still waiting in limbo for her response to match them up.) Colmes asked her how Lamb and Lynx were doing and if they were still singing. April responded, "Well, they're in high school, and as you know that's a pretty busy time in your life. [Lamb and Lynx have been] doing all the regular, fun kid stuff. We live right next to a ski resort and they've got snowboards -- " "So they're not 'duo'-ing anymore?" Colmes interrupted her, trying to get an answer to his simple question. "We just decided that it would probably be best for them to concentrate on doing their teenage stuff for awhile," she told him. On April 29, 2010 April, her husband and a few other White Separatists in the Kalispell area sponsored a movie at the local library that debated the validity of the Holocaust. Many protesters turned out for the event. Dan Testa, a reporter for the Flathead Beacon reported: " -- a scuffle broke out as the protesters took photos of some of the people entering and a woman's camera was broken. Kalispell Police arrested April Gaede and Mark Harrington for the incident, charging them both with assault and criminal mischief, misdemeanors, and led them out of the library in handcuffs." They were released the same day, it appears. April says: "When we got there the police were nowhere to be seen despite the fact that there were over 200 people and many of them waving those homo rainbow flags. They had the stairs covered with people with cameras and after we let them take photos they continued to stick them in our faces, two cameras got broken and my husband and I got arrested -- that is okay, it was a small price to pay for freedom of speech." I have a feeling the public might never know what Lamb and Lynx decide to do with their lives. The only way we'll ever truly know is if they come out and tell us themselves. And I don't think they want to. If they come out and renounce their racism, the backlash from all the people who have admired them and stood up for them since they were little girls will be rough. If they come out and say they still believe in White Nationalism, then they will no longer be viewed as the innocent pawns of their mother. I think they'll fade into obscurity, have their own families and leave the world guessing. Prussian Blue will just be a faded memory, a bizarre story to tell their grand-kids. Hopefully, whatever happens, Lamb and Lynx will be able to have a relationship with their mother that is both mutually loving and respectful. If, or when, they ever decide to come and join reality, they will have people waiting to support them. Today their new journey can officially and legally begin; however they choose to live it. They are women now. And they are lucky to have each other. **According to April Gaede, the decision to stay in the cabin outside of Kalispell was not her idea. It was the idea of the filmmakers. Citations: (1) http://de.sevenload.com/videos/m7CO4dQ-nazi-twins (2) Nazi Pop Twins (3) GQ article (4) http://www.stormfront.org/forum/t404756-4/ (5) http://blogs.myspace.com/index.cfm?fuseaction=blog.view&friendId=212403614&blogId=323298523 (6) http://prussianbluefan.blogspot.com/2005_09_01_archive.html (7) http://ezhay.com/archives/91 (8) http://www.mourningtheancient.com/pruss.htm (9) http://www.spike.com/video/novacosm/2407732 (10) http://www.johnnyleeclary.com/images/GaedeTwins_Hitlershirt.jpg (11) http://abcnews.go.com/Primetime/story?id=2340169&page=1 (12) Louis and the Nazis (13) http://www.museumstuff.com/learn/topics/Rudyard_Kipling::sub::Swastika_In_Old_Editions (14) http://www.livevideo.com/video/3F792D87B66246F08989F5F8D58EA609/prussian-blue.aspx http://blogs.myspace.com/index.cfm?fuseaction=blog.view&friendId=23404029&blogId=49032137 http://search.ancestry.com/cgi-bin/sse.dll?gl=ROOT_CATEGORY&rank=1&new=1&so=1&MSAV=0&msT=1&gss=ms_f-2&gsfn=Lamb&gsln=Lingelser&_81004010=1992&uidh=xsv http://divorcedigestforum.invisionzone.com/lofiversion/index.php/t724.html http://www.witsend.org/gen/BackTrack/PB.htm http://www.splcenter.org/get-informed/intelligence-files/profiles/april-gaede http://www.stormfront.org/forum/t404756/ http://www.stormfront.org/forum/t403742/ http://www.stormfront.org/forum/t319401/ http://www.bakersfield.com/news/local/x1915425979/Gaede-twins-at-center-of-custody-dispute http://motlc.wiesenthal.com/site/pp.asp?c=gvKVLcMVIuG&b=394667 http://kalispell.areaconnect.com/statistics.htm http://northwestfront.org/ http://www.white-nationalist.info/ple/index.php?option=com_frontpage&Itemid=1 http://www.realcourage.org/2010/05/montana-residents-protest-hate/ http://www.keci.com/pages/6940665.php? http://www.flatheadbeacon.com/articles/article/backlash_as_holocaust_skeptic_begins_showing_films_at_library/17015/ http://www.flatheadbeacon.com/articles/article/nazi_films_inflame_tensions_in_kalispell/17487/ http://www.stormfront.org/forum/t703929/ April Gaede on the Alan Colmes radio show http://www.adl.org/hate_symbols/groups_national_alliance.asp http://www.adl.org/hate_symbols/neo_nazi_life_rune.asp http://www.midnightmoonchild.com/moonchildfifteenthrunepage.html Sample Lyrics of Songs from Prussian Blue Albums: Victory Day: (lyrics and music by Rahowa): Well sit down and listen/to what I have to say/There soon will come a great war, a bloody but holy day/And after that purging our people will be free/and sing up in the bright skies/a sun for all to see/You are my brother and in war we proudly sing/Our Cause shall never tire/Our gift to you we bring: A holy creed of Racial purpose/as a mighty Race to defend/And when we fly our holy flag/Their oppressive reign shall end/And the women, they'll smile/on Victory Day/And the children, they'll laugh and they'll sing and they'll play/ And the forests will echo our grace/for the brand new dawn of our Race The Snow Fell: (lyrics and music by Skrewdriver): He sat in a room/in a square of the color of blood/He'd rule the whole world/if there was a way that he could/He'd sit and he'd stare/at the minreds on top of the towers/For he was a beast/as he hatched his new plans to gain power/And the snow fell/covering the dreams and ideals/And the snow fell/freezing the blood and the wheels/And the snow fell/they had to keep up for survival/And the snow fell/defeating the beast's only rival. Lamb Near The Lane: (lyrics by David Lane, music by Prussian Blue): Endless years in a prison cell/endless years in a living hell/A soldier of the first, with a tale to tell/Of why he fought to save his own kind/an image of beauty, he sees in his mind/Of a beautiful maiden, now forced to the fight/Because too many white men choose wrong over white. Sacrifice: (lyrics and music by Prussian Blue): Rudolph Hess, a man of Peace/He wouldn't give up/he wouldn't cease/he gave his loyalty to our Cause/Remember him at this pause/Sacrifice, they gave their lives/All those men who died/Robert Matthews he knew the Truth/He knew what he had to do/He set an example with Courage so bold/We'll never let that fire grow cold. Your Daddy: (lyrics and music by Prussian Blue): Hey, my girl will you listen?/Little girl, will you listen?/This will stay with you your whole life/So please don't take for granted, please don't take for granted/Mine was never there for me/Yours is always there you see/There is a great past you'll find/I try to leave my past behind/But it's broken/It's broken/So please don't take for granted/please don't take for granted/Your Daddy. I Will Bleed for You: (lyrics and music by Ken McLellan): I see you all around me/I see the apathy in your eyes/knowing not what it means to be free/watching as the White flame dies/It means nothing to you/Pride is an unknown trait/Tell me what are you gonna do/run and hide or face the hate/To every man who doesn't dream, I am the Dreamer/To every man who doesn't believe, I'm the Believer/To every man who doesn't Receive, I'm the receiver/To every man who refuses to bleed, I will bleed for you. |
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